L.A. Rising: SoCal Artists Before 1980, Lyn Kienholz, The California/International Arts Foundation, Los Angeles, California, 2010, p.74

Davenport's Art Reference: The Gold Edition, Ray Davenport, Gordon‘s Art Reference, Inc 2005.

Drawing From Life, Clint Brown and Cheryl McLean, Harcourt Brace College Publishers, New York, NY, 1997, p.8.

American Realism: Twentieth-Century Drawings and Watercolors. Alvin Martin, San Francisco Museum/Harry N.Abrams, New York, NY 1985, p.153, 208, 136.

Contemporaly American Realism Since 1960, Frank Goodyear, New York Graphic Society, 1981

Superrealist Painting & Sculpture, Christine Lindey, William Morrow and Company, lnc., New York, NY, 1980, p.80, 88, 89, 101, 112, 125

Super Realism, Gregory Battoock, Dutton & Company, New York, NY, 1975, p.163-169, 246.

New Realism, Udo Kultermann, New York Graphic Society, New York, 1972, p. 55-56, 144.

Everydayland: Imagined Genre Scene Painting in Southern California, Laguna Art Museum, Laguna Beach, CA; Elaine K. Dines-Cox, 1988, p.1 1, 77-85.

The Face, The Arkansas Arts Center, Little Rock, AR; Townsend Wolfe, 1988.

National Drawing Invitational, The Arkansas Arts Center, Jeanette Ross, MarohIApril, 1988, p.11.

Decade: Los Angeles Painting in the Seventies, Art Center College of Design, Los Angeles, CA; Introduction: Laurence Dreiband, 1985.

West Coast Realism, Laguna Beach Museum of Art, Laguna Beach, CA; Lynn Gamwell, 1983.

American Super Realism from the Morton G. Neumann Family Collection, Terra Museum of American Art, Evanston, IL 1983.v

For Love and Money: Dealers Choose. Pratt Manhattan Center Galiery, New York, NY; Introduction: Ellen Schwartz, 1981.

Radical Realism, Center for the Arts, Muhlenberg College, Allentown, PA, 1980.

Revival of Realism, Ralph Wilson Gallery, Lehlgh University, Bethlehem, PA; Introduction: Lucille Bunin Askin, 1979.

Douglas Bond: Twelve-Year Survey, Fine Arts Gallery, Califomia State University, Los Angeles, CA; Introduction: T.W. Little, 1978.

Dwight Boehm Gallery, Palomar College, San Marcos, CA; lntroduction: Linda Chase, 1976.

Painting: Color. Form and Surface, Lang Art Gallery, Scripps College, Claremont, CA; Introduction: Martha Alf, 1974.

Idaho Arts Joumal, “Boise Art Museum: A Bold Stroke,” Jeanette Ross, MarchlApril, 1988, p.11.

New West Magazine, “Art of the State: Califomia,” Collman Andrews, January, 1981, p. 54~59.

Architectural Digest, ‘Painting of Interiors,” Mario Amaya, October, 1977, p.78-83

Arts Magazine, “Review,” Michael Gordon, April, 1977, P.44.

Artforum, “Review,” Deborah Perlberg, March, 1977, p.70-71.

New York Magazine, “The Artful Lodger: A Room Wth a View Of a Room,” Dorothy Seiberling, April 5, 1976, P.72-75.

Domus, “Art in New York," Gregory Battcock, June, 1975.

Arts Magazine, “The Silk Purse of High Style Interior Decoration, or the Bathroom Painting of Douglas Bond," Gerrit Henry, June, 1974, p. 56.

Domus, “Review,” Februaly 2, 1974, p. 56.

Art News, “Review,” Gerrit Henry, January, 1974, p.94.

Arts Magazine, “Review,” Ellen Lubeii, January, 1974, p.61.

Art Direction, (Vol. 15, No. 295), “Review,” November 9, 1973, p.20.

Santa Maria Times — Currents: “Special Bond," Times Staff, May 23, 2002, p. 1 & 3.

The Tribune - Arts & Culture: “An Uncommon Reality,” Jennifer English, February 10, 2002, p. H6 (San Luis Obispo, CA).

New Times - Arts: “Douglas Bond - Painter,” Bill Beeson, January 31, 2002, p.24 (San Luis Obispo, CA).

Santa Barbara News-Press - Scene: “Showcasing Distinctive Points of View," Joan Crowder, September 23, 1994, p.8.

Los Times, (Art Review), “Discontent Boils Under the Surface of ‘Everydayland’ Exhibition,” Suzanne Muchnic, October 1, 1988.

Artweek (Laguna Beach, CA), "Worlds of Displaced People,‘ Judith Christensen, October 1, 1988, p.5

The Orange County Register, (Laguna Beach, CA), “Imaginative Art is the Order of the Day,” Laura J. Tuchman, September 9, 1988

The Easthampton Star, Easthampton, NY, Opinion: “A Showcase for the Art of Drawing, Robert Long, June 27, 1985.

Artweek, (San Francisco, CA), "Califomia Drawings: A Contemporary Overview, Robert McDonald, January 21, 1984, p.1.

Los Angeles Times, “Galleries: Santa Monica," Suzanne Muchnic, April 27, 1984

Artweek, “Surveying Southem Califomia Realist Painting, Ruth Weisberg, June 5, 1982

L. A. Reader, “lt’s the Real Thing-but Not Quite,” Betty Brown, May 28, 1982

Los Angeles Tlmes, “Distinction in Realist Painting,“ William \M|son, May 19, 1 982

News-Post, (Laguna Beach, CA) “Realism Exhibit Gets Emotional Responses,” Dian McSweeney, May 6, 1982.

Los Angeles Times, “Realist Painting’ in Laguna Beach,” Josine |ancoStarrels, April 25, 1982.

West Art, ‘"The Real Thing’ in Southem Califomia,“ April 23, 1982.

Chicago Tribune, “Art: Mirroring the Merits of a Showing of PhotoRealism,” Aian G. Artner, October 24, 1978.

Flint Journal, (Flint, Ml), “Disceming Art Judge Leaves Proof,” James E. Harvey, June 20, 1976.

Artweek, (Vol. 5, No. 24), “Bond's Bland interiors,” June 29, 1974, p.6.

Los Angeles Times, “Art Walk: Review,” Wiiliam Wilsan, June 28, 1974, p 12-13.

New York Times, “In SoHo, They Paint the Kitchen Sink,” James R. Mellow, November 24, 1973

Artweek, (Vol. 4, No. 10), “Interview,” March 10, 1973, p.12.

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